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SUNDAY: Dance Class
I got so pissed at my otherwise impressive contemporary dance teacher, Z. In class one Sunday she split us into two groups to perform a piece of choreography, which she made no sense in her description of it as “the Matrix” and “sexy.” But after watching the unimpressive performance of first group, with two of the hippos from Disney’s ‘Fantasia’ rocking it out in the front, I realized I could relax with very little to lose. Here we go, but after just eight counts the dancers around me were guffawing: deer in headlights standing mid step shooting looks at each other. Normally I would rely on everyone around me to carry me through what I do not understand, but this time I turned, ignoring every one of them and just kept on dancing. Dance-watching is a mode that is so safe and familiar to me, but this time I couldn't rely on anyone else for the movements or timing. So I just plowed through it with the Gnarls Barkley that I knew and loved from our sessions dancing together with my I-pod, and from this I knew how to listen hard and find my place in his music. Even when I saw others pounce on the wrong counts I held my ground. I accented, I pointed, I glided, I spun and by the end I knew "YEAH, I hit it!" I was by no means perfect, I was not yet and maybe never will be a contemporary dancer, but considering that members of Z’s own dance company were totally lost, I thought I had nailed it and with style! It might have been the best I'd ever done it because for once I wasn't paying attention to everyone around me. It was my first contemporary solo, by default, and I’d done myself proud.

It wasn’t long before Z wiped that smile right off my face by storming to the front of the room shaking her head “No, no, no” at us, at the ground, then back at us while saying how ridiculous it was that we couldn't do this simple piece of choreography that was "made up of basic moves which you all already know. . . It's not like this is hard.” EXCUSE ME?! According to who is this not DAMN HARD?! Simple piece of choreography - BS! Basic moves as they may be, this is my first fucking contemporary class, NOTHING is basic and EVERYTHING is
unfamiliar and hard. Each class she would rattle off terminology I have no comprehension of for turns and kicks that sound more to me like lewd sex acts: "pencil turn", "fuette kick." I'm a complicated person but as a dancer I’m simple: monkey see, monkey do. And just then monkey did a damn fine job of faking it as a contemporary dancer. So she really pissed me off.

Any way you swung it she had marginalized me. Maybe she hadn't bothered to pay attention to what I was doing to notice that I had got it right because to her I wasn’t important enough as a dancer. Maybe her criticism didn't apply to me, maybe she thought I did a fine job and so what I resented is her assumption that any of this was EASY for me. When she accused all of us of not trying hard enough at the very end of her speech it changed my attitude towards her class altogether. This was my hardest version of trying, I had been trying SO HARD since day one and now I didn't want to try for her at all. I've never been pissed at a dance teacher before and in spite of my initial awe at her dance ability I never went back to her class.


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Comments

  • rarity121 said on Sep 21, 2006....
    monkey see, monkey do? is that all? not everybody has the coordination to do that. you must be talented
    what kind of dance is this miko?
  • rarity121 said on Sep 21, 2006....
    monkey see, monkey do? is that all? not everybody has the coordination to do that. you must be talented
    what kind of dance is this miko?
  • MikoFabulous said on Sep 22, 2006....
    Rarity you're a dancer too right? I mainly do Hip Hop Jazz - it's a slightly more technical, more graceful kind of hip hop. It's still heavy hitting, but less street. It's funky but elegant. HOWEVER, in the case of THIS class I stepped outside my comfort zone and tried Contemporary Vernacular class (Dunham Technique.) I'm not entirely sure what that means because I'm not a "trained dancer" - I never studied one discipline for years and years. Instead I danced a little bit everything. You could say I'm a dance slut - I'll dance anything! Hula, Hip Hop, Jazz, Flamenco, Ballroom, Belly dancing, and even humbling attempts at ballet.
  • secretlife said on Sep 22, 2006....
    both my teenage girls dance- they've been doing it since they were 3.

    I expected they'd give it up, like I did when I got to be around 12, but so far, they still dance.

    My 16 yr old does pointe and classical as well as lyrical ballet.
    She also does jazz and funk.
    She will never be a professional dancer. She's had to work very hard to keep up, but it's inside of her- she loves to dance, and I want to encourage her to do what brings her this type of joy.

    Unfortunately, it's been my experience that dance teachers in general teach to kids who want to end up on Broadway or somewhere dancing professionally. They don't truly understand that it's far more important to teach to those like my daughter, who have dancing in their hearts.

    My 13 yr old does jazz and tap. She's struggled with the same issue and almost quit last year because she was in an advanced class, and the teacher had no patience with her.
    I don't think this teacher realized how many nights she'd tap across my kitchen floor working on those steps just to be able to keep up with the class...
    She asked me to sign her up again this year, and i hesitated.
    But in the end I relented. It's in her heart too, and I want it for her.

    How many of these girls who dance aspire to be professional dancers? How many actually make it? Isn't it far more important to give them all self confidence and inspire a love for the art?

    I watch my girls dance. To me, they are beautiful.

    You just keep dancing. It sounds like it's in your heart too.
  • purple said on Sep 24, 2006....
    When the whole class fails, that is an indication that the teacher failed to communicate what she wanted.

    BTW, I answered your question over here: http://www.soulcast.com/post/show/25959/Purple-on-Writing

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