she understood all along along the backsides of her legs, her thighs (her cellulite creassses)
that he didn't, never had, and
always would.
that was just the way it (happened) (all throughout history. she was boring in bed,
wanted nothing more to play with
had no need for toys
or
instruments
other than the ones he pummeled her width. for a second time (and that was it.
the city squarely belongs to him (and his) Judy in her fanciful dress. in her beautiful/ she's so beautiful tipsy/ sleepstate, asking him
questions that never
needed answering (or coddling). before him the phone rings. she nearly rings his
lips with lipstick, her tongue in his ear(s) (and)
teases him
(about a treasure map)
about other men and if she only knew the half of it she
wouldn't even mind walking the paces off his old plank: straight into the depths of his:
Judy is startling and secure like that
nothing to be messed
with or baited-and-switched and given up for flogging and mauling with
strange girls
hiding under the bed or even out back with the lunchtime staff
(he never slept in) with her
never even
thought that maybe he should. Judy yes, of course--dozens of hundreds of defeats that he
longed to give (into)her and did) with the full length of his awkward-outward guts and soft, smooth somethings exciting
she was like that. he liked that. he couldn't deny it. but he did it daily--denying it
just for shits and giggles--that's how
the
other
girl types and types and typecasts him in a way
that sometimes makes a mess of sense.
He hates that about her. he hates her face. and her hair. and the way her
lips pull him in... drowning him again... for the first of many misunderstandings a
pitfall of
the medium girl--mediocrity (in a crucible cape) ho-hummm, and
only maybe concealing
something
worth finding out he
knows it's all bluff ( and jagged cliffs even if
it is
love; it's the kind that doesn't bear repeating to Judy
or even
to Evelyn
the one
who's
driven him
to
a whole other
realm of distraction (exhaustion) extinction just with her tits alone
he's
(hoping to find himself) alone with them her face devoid of meaning or anything even vaguely
resembling Judy (or Amelia) or Emily or Olivia he
should think it through, shank it through moments ofwaekness
andawkwardkiss
his
and
Amelia's loose buttons (always)
coming off in the most inconvenient
(awnings)--still attached by threads or fishnest filaments into
his tangled
and
gaping
openings
there i sno clear exit or waepon to account for
she
must tell
(him)
this
(and other stories)
it's beyond
her and
beyond
her (half-hearted)
reach
a fistful
of
forget-me-nots
to
laugh
and sing along



